Saturday, July 31, 2010

Back to work: Full Time



Back to work!
So I'm back! SVU has started production back up for Season 12. I can't believe it. I started at this show as the temporary make-up assistant Season 7. It is such a gift in this business to have a job with a little steadiness but its also crazy to think that this'll be my 6th season!
So even though I have been doing these character makeups for years, as I've said before, its important not to get stuck in a rut. I am constantly changing products, techniques and strategies so that I don't become complacent and start to lose sight of what I am trying to achieve with their look.
That being said, here are the items that I have tried to switch up and have never been able to get away from when doing "Benson Makeup". Call them the Cher items in my makeup bag, because they will never go away:

YSL touche eclat #3 in combo with Cle du Peau concealer in ocher. If someone knows of a better concealer duo for olive skin, I'd like them to tell me. Its bright and radiant and covers anything. It is a combo established by my predecessors and is not to be forsaken.

La Mer Eye Concentrate. I once ran out of this for a day and tried to use something else with out admitting my delinquency. Oh no. Never again.

Benefit F.Y.Eye
. My big fear right now is that I think they have discontinued this. I ran out of my last jar and tried another eyeshadow primer. My eye makeups have to last for 14 hours people! Through rain, sleet and snow! (Or in this month's case: Heat!) It was immediately apparent that the new primer wasn't up to the task. LUCKILY Mariska had a jar stashed away and I raided her supply. I am in a panic about running out. F.Y.Eye, please don't leave me! I can't do it without you!

So those are my immortal beloveds. Nothing else will do.

Impromtattoo












As any of my fellow makeup artists in TV will attest, sometimes we don't always get time to prepare as thoroughly as we'd like. For example, I often get the shooting script the day before we begin filming the episode. The lack of lead-time means we often have to be creative and crafty. Before the first episode of the season, I have to load my equipment into my camper, set up the makeup room, make sure our supplies are stocked and...oh yeah, the script calls for specialty contact lenses and extensive tattoos. And I have one day to get it all ready because they all play first thing on the first day!
For the lenses, I take the actor to Studio Optics at Rockefeller Center. They can make anything from a standard colored contact to a full eyeball burst capillary lens. And luckily, they make it snappy.
The tattoos, however, were trickier. There are several ways to go about tattoos and ideally you have the time and budget to plan, design and test an SFX makeup like that. If they play frequently or if the tattoo is just a single image, a transfer or a stencil is the easiest, fastest way to go. Slap it on, spend a minute or two refining the image, and you're done! But, as I mentioned, that takes time to find/buy or design the transfer or stencil. While I keep a stash of tattoo transfers around for emergencies, the director specifically requested sleeve-style tats - and those have to be custom designed. Because I didn't have lead-time for that, my options were limited to free-hand drawing if I wanted it to look legit. So off to Google I went to find inspirational designs. Free-hand drawing is not my gift, however, so this is a much more difficult option for me. And since it played on two separate days, I had to do it twice! In the end, I used a combination of K.D. 151 Tattoo Pens and Skin Illustrator palettes - both alcohol based paints which don't smudge once they dry, and it seems to have turned out well. After the first day, I mapped the design of the tattoos on her arms on tracing paper, aligning it with certain freckles and moles so I had landmarks for the next time. But I was sweating bullets before each time I had to do it. So hopefully next time I'll have more of a chance to prepare. But where's the fun in that?

Wednesday, July 7, 2010

Luggage


So the issue I am possibly most frequently confronted with has to do with the situation going on under our eyes. It's either darkness or puffiness. Sometimes both! What to do?
My mother-in-law recently asked me to write a blog about this and it made me nervous. It is an age old issue. "How do I get rid of my under eye bags?" It is trickier than dealing with under eye darkness because that is easily remedied with a good highlighter (YSL Touche Eclat, Armani Master Corrector). Bags are a whole different conundrum because the issue is more 3-D than color correction. And solving it often takes more than a swipe of eye cream and a sweep of concealer. The old cool cucumber trick does actually help reduce puffiness from crying/waking up too early/too much salt. But you have to sit there like a diva for minutes. Likewise, there are several patches on the market that you put on under your eyes and let the magic potions on them work their, um, magic. The one that Catherine Keener introduced me to is called Skyn Iceland Hydro Cool Firming Eye Gels. I don't know if its the hydrolyzed elastin, acetyl hexapeptide, or the ginko biloba, but it really does seem to help in the mornings when I have someone sitting in my chair that needs that help. (And if you think I know what any of those ingredients actually do, you are sweet and kind.) The patches, however, are $45 for 6 pairs so you have to really want those bags away sooner than later.
My sister-in-law asked me how I felt Preparation-H works, and I had to say "I dunno!". So that is something I am going to have to road test. Warning: she did mention that she HAD tried the Prep-H Gel and that most certainly did NOT decrease puffiness and only left a film of hemorrhoid cream under her eyes. The Glamour Quotient there is exactly O.O
The one thing I will say is that these treatments only help temporary puffiness. If you watched The Notebook and fell asleep crying or ate dinner at a certain fabulous sushi restaurant in TriBeCa and the next morning couldn't even get your engagement ring on let alone fully open your lids due to sodium intake (that might've been me), these methods will help.
But if you are permanently carrying around a piece of luggage under your eyeballs, then it might be fatty deposits that no cosmetic or skin care item will really solve. It IS solvable, however, and is something you can talk to your dermatologist about.
Now come on. Someone must have some hemorrhoid cream stories!

Back to work: Commercial Style


Two days last week I did a commercial with my friends Dina, a fellow makeup artist and my boss for those 2 days, and Sherry, a lovely and talented hair stylist. I hadn't woken up at 5am for work in 2 months! I also haven't worked on a commercial in about 4 years.
Commercials are a very different vibe from tv/film production. If movies sometimes feel like high school with money, commercials feel more like a corporate board meeting. I'm not sure why. What I like about the picture above is that all the guys are wearing the same exact thing! Like a corporate uniform of brim hats, plaid shirts and cargo shorts.
But it was fun to get back to doing faces! The look on this particular commercial is, as the director put it "Stealth Makeup". The makeup had to look so natural, it couldn't be detected. It can't just look good on camera, it had to look like nothing to the naked eye. So that was a fun challenge - do skin-perfecting makeup that looks like you didn't do anything.
After about an hour and a half of putting the actors through hair and makeup, the three of us from HMU (Hair & Makeup) sat in the sunshine on location in suburban Long Island for the next 10 hours. Occasionally we made sure that people's brows weren't sweaty and that they had enough sunscreen. (Sometimes, during the summer, that is what being a makeup artist becomes: professional sweat mopper/sunscreen applicator. It makes my dad feel very happy he spent a lot of money on my private liberal arts college degree.) It was rough, people. Rough and glamorous.